Saturday, April 14, 2012

PROMOTION - free kindle book tomorrow - the novelOaklane Woods by Louis Evan Palmer

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BUY BOOKS BY LOUIS EVAN PALMER


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Support his art, ideas and worldview, Order books by Louis Evan Palmer: the novel "Oaklane Woods"; short stories "Tales Told to a Tree"; poems "40 Poem Fragments". Order via Kindle link above or at top right of screen

Copyright 2012 Louis Evan Palmer

He lives in Ontario Canada. His short stories have appeared in numerous publications.

Wednesday, April 11, 2012

The Truth Is Not In a Book by Louis Evan Palmer

How can the truth be in a book?  It would mean that the truth is in an abstraction and not in reality. It would mean the truth was tied to a language and not freely available. It would mean that the truth is tied to a time, the time the book was written in. It would mean the truth was tied to a place, the place the truth was written in. It would mean the truth is tied to writing and recording and reading and remembering. It would mean the truth was tied to interpreters and reciters.

How can the truth be in a place? It would mean the truth can be divided and measured and located. Power can be in a place but not truth.

How can truth be in any construct, any thought or word or place or thing? The truth is uncreated, boundless and timeless. Approximations and indications must not be confused with reality itself. At the end of an infinite string of "Not this" and "Not that" lies truth: there, before a single word is spoken, before a single thought or movement or feeling or image or sound - beyond, beyond, beyond beyond.


The Truth Is Not In a Book, Louis Evan Palmer, The Way It Can Be, http://twicb.blogspot.com
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Support his art, ideas and worldview, Order books by Louis Evan Palmer: the novel "Oaklane Woods"; short stories "Tales Told to a Tree"; poems "40 Poem Fragments". Order via Kindle link at right of screen

 Copyright 2012 Louis Evan Palmer He lives in Ontario Canada. His short stories have appeared in numerous publications.


BUY BOOKS BY LOUIS EVAN PALMER

Tuesday, April 10, 2012

Pretending a World by Louis Evan Palmer

In the future if it's "good", we may have all our basic, and even secondary, needs provided for. We may be able to do whatever we legally want. Legal may be expanded over what it is today. 

It could easily be a world where all people are doing something related to a portrayal or an artistic creation: that is, you are either watching a production or event of some kind - sports, entertainment, education; or, performing in an event or production; or you're communicating about a production or event.

It would highlight "real" versus "contrived" but it might, in fact, highlight that the real life we're leading is more fiction (i.e. made up) than fact. Or, that there is no essential difference between acting something or supposedly "being" something if real life is actually a script like any other. It may be a script that's embedded and somewhat unconscious but nonetheless, it's created in an interaction between people and individuals and the surrounding world; it's a series of choices and accompanying actions.

If we strip away the layers and veneers, the only actions we take that are not in any way contrived are those related to food, shelter and clothing. Yet, even those have accreted their share of rituals and acting out. But, those ancilliary actions and words can only exist when the primal search for food, water, shelter and clothing is satisifed for today and several weeks into the future. "Roles" to do with those existential needs are the foundation for all that follows. Related to these fundamental needs is the need for safety and security of person and property - if you can't protect what's yours, you'll starve or freeze or die of thirst or die out. And, of course, the drive that nature imparts for procreation.

Is pretending (e.g. acting) intrinsically frivolous or wasteful or unproductive? Is it a bad use of time and energy? It is if it doesn't increase our knowledge of ourself, our society or existence in general. This leads us to who is doing the acting and who is doing the watching where acting's main purpose is to tell a story. What if the so-called "story" is incidental and the "being" of everything is the message? And, any story has that in it, as does ordinary living, if we could only see it or feel it.

So, acting and pretending and generally being unproductive is like everything else - it depends on who's doing it, who's witnessing it, what's needs to be done and if it's done, the society, the economy, the beliefs and probably, most of all, the attention and concentration that devoted to observing and understanding whatever we see and feel at all times whether it's supposedly "unreal" or, even more, if it's supposedly "real".


Pretending a World, Louis Evan Palmer, The Way It Can Be, http://twicb.blogspot.com

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Support his art, ideas and worldview, Order books by Louis Evan Palmer: the novel "Oaklane Woods"; short stories "Tales Told to a Tree"; poems "40 Poem Fragments". Order via Kindle link at right of screen

 Copyright 2012 Louis Evan Palmer He lives in Ontario Canada. His short stories have appeared in numerous publications.


BUY BOOKS BY LOUIS EVAN PALMER

Monday, April 09, 2012

The Tenuousness of History by Louis Evan Palmer

Probably the most famous saying to do with the unreliability of historical accounts is "History is written by the victors" attributed to Winston Churchill who as the author of six volumes on World War II would have had extensive first-hand experience of the accuracy of that observation.

When we see how important a role propaganda plays in any conflict and the fact that most history revolves around conflict, we can see that many of the strands in any given historical story are comprised of deliberate, and often insidiously inserted, "facts" that further a given purpose although sometimes the "facts" are blatant and crude. The mix of crude and sly are construed for maximum effect.

The curtains of secrets that descend in any conflict is another way that the historical truth of anything becomes tainted and and its deciphering gets deferred to an indeterminate future. Secrets large and small, trivial and monumental, diminish and twist the historical record for the duration of the "hold" periods; or sometimes forever, if the secret is still in force or deep and dark enough.

Interpretations of the facts according to an ideological prism also impacts the way things are framed and explained.

The exercise of caution in accepting "facts", the inclusion of other sources and a healthy skepticism, may help to winnow the story down to something that is passably "true" although it seems that we will fall short in the numerous details and in the over-arching reasons. Historical stories, true or false, continue on their own because they serve a purpose today and into the future. The best "histories" work as a kind of perpetual motion machine that once started never stop. And there is one of the dangers because these flying historical daggers almost always have a malicious intent.

The Tenuousness of History, Louis Evan Palmer, The Way It Can Be, http://twicb.blogspot.com

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Support his art, ideas and worldview, Order books by Louis Evan Palmer: the novel "Oaklane Woods"; short stories "Tales Told to a Tree"; poems "40 Poem Fragments". Order via Kindle link at right of screen

 Copyright 2012 Louis Evan Palmer He lives in Ontario Canada. His short stories have appeared in numerous publications.


BUY BOOKS BY LOUIS EVAN PALMER